Way, alumnus in violin, is devoted following the study of the piano and the song specializing himself in Baroque song under the guide of C. Ansermet and R. Invernizzi.
It belongs to the Ensemble Vocale di Napoli, of the Collegio Gregoriano della Pietrasanta and the group Accademia dei Discordanti. In 1996, He sings in the Stellidaura vendicante by Provenzale, at Barilirica and to the Baroque Festival of Sablè.
In March 1997 he is exhibited at San Carlo Theater in the Pulcinella of Stravinskij directed by Roberto De Simone. He has taken part to the execution of La Colomba Ferita by Provenzale, represented in Naples, Vienna and Barcellona and realized the record of it with the label OPUS 111.
In December 1997 he is exhibited in the Ninna Nanna by Giordano with the orchestra of the Conservatory of Naples San Pietro to Majella to the Philarmonie of Köln. Very important has also been his exhibitions to the Baroque Festival of Baune, in Bruges and Bruxelles (sacred music by P.A. Fiocco). For the Festival of the Opera Buffa Festival 1999 have sung Le Finte Gemelle by N. Piccinni to the Royal Palace in Naples; in the same year he has participated in La Finta Cameriera by G. Latilla for the Fondation Royaumont, Theater of Rennes, Theater of Lille. Recently he has taken part to the productions of the work Pulcinella Vendicato by G. Paisiello (Naples, La Coruña, Rome) and to the resumption of the work La Colomba Ferita in Madrid Teatro de la Zarzuela.
In February 2004 he took part to the production of La Statira, realised at the San Carlo Theatre, in Naples

Born in Milan in 1968, she is graduated in cello under Silvio Righini's guide to the Conservatory of Brescia. She is subsequently disciple in Baroque cello with the Roberto Gini at the Civic School of Music in Milan, in which she has followed the courses of composition and direction of orchestra.
Beginning from 1994, with the debut in the Ponchielli Theater in Cremona for the Monteverdian’s Celebrations directed by Roberto Gini, begins an intense activity live within the ancient music. From this moment, Wally Pituello has played with the best ensembles of ancient music among which we quote the Ensemble Aurora directed by Enrico Gatti, Il Complesso Barocco directed by Alan Curtis in the most important Italian and foreign festivalses. From 1994 to 1997 she’s first cello of the Academia Montis Regalis, with which it exhibits him with the most important conductors of the European panorama among which J. Savall, T. Koopmann, R. Goebel, C. Banchini, E. Gatti, B. Kuijken, J. Christensen, A. Bylsma.
The activity live becomes more and more prestigious, above all to international level, with the beginning of the collaboration, become then stable, with the Cappella della Pietà dei Turchini. With such ensemble exhibits him in the most important concert salt (the Konzerthaus in Vienna, the Théâtre des Champs Elysées in Paris, the Filarmonica in Berlin, the Palau de la Musica of Barcellona, the new Auditorium of the Park of the Music in Rome, the Teatro San Carlo of Naples, the Theater de la Zarzuela in Madrid, the Cité de la Musique in Paris, the Théâtre de La Monnaie of Bruxelles) and in the best festivalses, among which we quote the Chaise-Dieu, the Festival of Radio France, Festival of Wallonie, Festival of Ancient Music of Tel Aviv, Festival of Saint-Denis...
Extremely profitable it is her record activity for Opus 111, Virgin, Accord, Arcana...